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Roving Curators 2026

The Roving Curator program gives museums, galleries, and collections access to Arts Tasmania’s museum professionals for up to 25 days in the year.

The Roving Curators are a team of skilled and knowledgeable museum and cultural heritage professionals based in Launceston.

A delegate of the Minister for Arts and Heritage has approved that 96 days of Roving Curator time be shared across nine (9) organisations in this round, to support activities in 2026.

Funding recommendations were made by expert peers drawn from the Cultural and Creative Industries Expert Register.

Roving Curator time

RECIPIENT

DAYS

ACTIVITY

Circular Head Heritage Centre Inc

18 days

Stage two of a significance assessment

Glamorgan Spring Bay Council

15 days

A significance assessment for the Glamorgan Spring Bay War Memorial’s collection

Longford - Norfolk Plains History Society Inc.

8 days

An exhibition project

Northern Midlands RSL Sub Branch

10 days

A collections management project

Rosebery Development Incorporation

12 days

Exhibition planning and forward strategy development

The Returned & Services League of Australia (Tasmania Branch) Inc.

14 days

Developing a permanent display of Tasmanian military memorabilia

The Uniting Church in Australia Property Trust (Tas)

3 days

Professional development for volunteers at the Scots Memorial Uniting Church

Westbury and Districts Historical Society

10 days

A collections management project

Wilmot Tourist & Progress Association Inc

6 days

Collections management system training

Feedback from the expert peers

The peers discussed the overall quality of the applications to this round and made the following comments:

  • Applications should clearly identify and outline the proposed activity
  • Applications from organisations with volunteers should clearly outline any opportunities for capacity building and professional development
  • Applicants lodging more than one application to Arts Tasmania’s programs were encouraged to make sure that each application was tailored to the specific program guidelines, and to clearly explain how the applications related to each other
  • Applicants should read the program guidelines carefully and include the required support material
  • The stronger applications to this round included:
  • a clear explanation of how support from Arts Tasmania would benefit the collection
  • CVs for all key personnel whether professionals or volunteers
  • clear information relating to the physical location of the collection (such as photos or floorplans)
  • a clear project plan or timeline to speak to the criteria of planning.

The peers noted that applications involving Aboriginal cultural content should include:

  • clear plans for engaging with the Aboriginal community, supported by evidence of consultation
  • cultural safety plans when activity includes Aboriginal cultural content.
  • relevant cultural costs in the application budget.

Peer assessors

The following peers assessed in Arts Tasmania’s September and October 2025 rounds (including Artsbridge, COLLECT Art Purchase Scheme – arts businesses, Cultural Heritage Organisations, Organisations – projects, Organisations – youth arts, Roving Curators, and Tasmanian Residencies):

  • Adam Ouston
  • Ashleigh Musk
  • Ben Winspear
  • Camille Reynes
  • Douglass Doherty
  • Jack McLaine
  • Jane Stewart
  • Janet Ross
  • Jodi Wilson
  • Jordan Marson
  • Judith Abell
  • Keia McGrady
  • Kieran Lonergan
  • Kim Lehman
  • Leigh Tesch
  • Malcom Bywaters
  • Megan Walch
  • Nelson Clay
  • Stephanie Finn
  • Tara Robertson
  • Yyan Jyun Ng
  • Zara Sullivan

Arts Tasmania carefully manages actual and perceived conflicts of interest for both staff members and peers involved in the assessment process.

For more information on the management of conflicts of interest, please visit how decisions are made.