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Organisations – projects 2025-26

This program enables organisations to deliver projects and activities that:

  • develop and share high-quality art experiences and/or offer high-quality services to the sector
  • create opportunities for Tasmania’s professional artists and arts workers
  • build partnerships and collaborations that strengthen Tasmania's arts sector
  • connect with and inspire audiences, and the wider community.

A delegate of the Minister for Arts and Heritage has approved funding of $360,000 for eight (8) organisations through this round.

Funding recommendations were made by expert peers drawn from the Cultural and Creative Industries Expert Register.

Grants

Recipient

Funds

Activity

Big hART

$74,890

Artisan-Digital

Great Southern Dance

$53,956

kNOw NO NOw

Kickstart Arts Incorporated

$75,000

NextWork: Kickstart Arts Incubator

Mascara Publishing Inc.

$8,000

Development of emerging

Moonah Arts Centre

$35,772

Moonah Music 2026

Our Peoples Foundation

$72,110

Lutruwita AR: Community-led Cultural Storytelling 2026

St Vincent de Paul Society (Tasmania) Ltd.

$26,000

Mill Lane Precinct artist-in-residence program

Tasmanian Poetry Festival

$14,272

The Tasmanian Poetry Festival

Feedback from the expert peers

The peers discussed the overall quality of the applications and made the following comments.

Programming and artistic approach

  • Clearly explain any processes that will be used to select artists, particularly where participants are not yet confirmed.
  • Demonstrate how the activity will support or contribute to the broader Tasmanian arts ecology.
  • Include carefully curated artistic support material (with examples of previous work) to demonstrate artistic quality.

Budget and financial planning

  • Be as specific and precise as possible about how grant funds will be spent.
  • Include detailed budget notes with breakdowns of costs, including how artist wages and fees were calculated with reference to industry rates and award rates.
  • Include superannuation in line with legislative requirements.
  • Clearly distinguish between confirmed and unconfirmed income.
  • Include contingency plans to show what can be achieved if unconfirmed funding isn’t secured.
  • Ensure the application budget aligns with the specific activity rather than broader organisational operations.
  • Consider plans around sustainability to show how activities can continue beyond initial funding.

Personnel and capacity

  • Be as specific and precise as possible about the personnel involved in the activity.
  • Include CVs and/or biographies for key artists, mentors, and personnel.
  • Clearly outline selection processes if personnel have not yet been confirmed.
  • Demonstrate organisational capacity to deliver by demonstrating track record.

Planning and clarity

  • Include clear timelines showing when activities would occur.
  • Provide sufficient detail in the body of the application rather than relying on support documents.
  • Clearly articulate what the funding request will cover, particularly when seeking funding towards activities that are part of larger programs or festivals.
  • Ensure all website links and support material are functional.

Community engagement and benefit

  • Clearly articulate who will benefit from the activity and how.
  • Demonstrate how activities will reach target audiences.
  • Include letters of support from community members or organisations who will benefit, rather than those directly involved in delivery.
  • When working with Aboriginal cultural content or communities, demonstrate confirmed engagement and appropriate cultural protocols, including payment for cultural advisors and consultation in budgets.
  • Consider accessibility and inclusion, including how barriers to participation will be addressed.

Marketing and outreach

  • Include marketing plans and associated costs in budgets to demonstrate how activities will reach audiences.
  • Consider how activities will extend outreach beyond immediate participants.

Peer assessors

The following peers assessed in Arts Tasmania’s September and October 2025 rounds (including Artsbridge, COLLECT Art Purchase Scheme – arts businesses, Cultural heritage organisations, Organisations – projects, Organisations – youth arts, Roving Curators, and Tasmanian Residencies):

  • Adam Ouston
  • Ashleigh Musk
  • Ben Winspear
  • Camille Reynes
  • Douglass Doherty
  • Jack McLaine
  • Jane Stewart
  • Janet Ross
  • Jodi Wilson
  • Jordan Marson
  • Judith Abell
  • Keia McGrady
  • Kieran Lonergan
  • Kim Lehman
  • Leigh Tesch
  • Malcom Bywaters
  • Megan Walch
  • Nelson Clay
  • Stephanie Finn
  • Tara Robertson
  • Yyan Jyun Ng
  • Zara Sullivan

Arts Tasmania carefully manages actual and perceived conflicts of interest for both staff members and peers involved in the assessment process.

For more information on the management of conflicts of interest, please visit how decisions are made.