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Image credits

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wayintalutja…final approach by Will Stackhouse, 2015. Photographer: Phillip Biggs.

Acoustic Life of Sheds, 2015. Jack’s Shed audience, post performance.
Photograph: Beth Sometimes

6000 to 1, 2016, Stompin.
Photograph: Jasper Da Seymour

The Middle Names, 2014.

Crawl Me Blood Development, 2015, Halcyon Macleod.
Photograph: Bryony Jackson

Tiles

Grants and loans

The Riddle of Washpool Gully, Terrapin Puppet Theatre, 2017. Photo: Peter Mathew.

Industry development

Lamps by Matthew Prince, VAN TUIL Design Studio, 2017. Photo: Jonathan Wherrett.

Museums and collections

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Resources

Class of 85, ink on paper, 200 x 100 cm, Tom O’Hern.

About us

www.arts.tas.gov.au/about_us

Tasmanian Eucalypt Propeller Pendant light showcased at Euroluce 2017, Duncan Meerding.

Funding and investment

www.arts.tas.gov.au/funding

Everything all at once now (and then some) installation detail, Scot Cotterell

Industry development

www.arts.tas.gov.au/industry_development

Sound + Light detail, Third Door, Parklands High School, 2018.

Museums and collections

www.arts.tas.gov.au/museums_and_collections

Devonport Regional Gallery. Tidal 18: City of Devonport Art Award, 2018. Photo Credit: Michael Cannon.

Resources

www.arts.tas.gov.au/resources

Professional Development Fellowship, 2015, Josh Lowe

News

www.arts.tas.gov.au/news

Everything all at once now (and then some) installation detail, Scot Cotterell

Search results and miscellaneous

www.arts.tas.gov.au/search_results

James Newitt
To Attempt to Become Other, Secretly or Not
2016


Premier's Literary Prizes

www.arts.tas.gov.au/plp

Franck Boston/Shutterstock